The College for Creative Studies Mourns the Loss of Board of Trustees Member and Detroit Fashion Legend, Linda Dresner. Linda passed away on March 30, 2026.

As a longtime member of both the Board of Trustees and the Fashion Advisory Council at the College for Creative Studies, Detroit native Linda Dresner did more than advise; she championed the future of design. Her belief in the transformative power of education lives on through the Linda Dresner Endowed Chair, ensuring the support of the College’s Fashion Design program and its chair position in perpetuity.

Linda spent four decades as a visionary in the fashion industry running two influential, avant-garde boutiques in Birmingham, Michigan and New York City. She embodied the very core of CCS: a rare combination of fearless creativity and flawless craft.

Her work in fashion retail has been lauded by many. In a 2021 New York Times piece about her, Ikram Goldman, owner of the Chicago boutique Ikram, was quoted as saying: “For her, it wasn’t about clothes. It’s about the hunt of discovering that next talent. To me, that was her magic. That was her special sauce. She was always after the hunt and always had her ears and eyes so wide open so as not to miss anything or anyone.”

CCS President Don Tuski said, “Linda’s fashion industry insight was highly valued by myself and the CCS Board of Trustees. Her support to the college and fashion program was immense and she will never be forgotten, and her astute advice missed greatly.”

“Linda Dresner was a Detroit visionary with a global reach. She was not only a tremendous supporter of CCS and its students, but also a dear friend.” said Aki Choklat, the Linda Dresner Endowed Chair of Fashion Design. “Her legacy and name will always be connected to our fashion family. I miss my weekly visits to her shop, where she would make me a coffee and we would talk about the latest shows. I miss her dearly.”

Linda was the beloved wife of Edward C. Levy Jr. Cherished mother of Mark (Rena) Lewis and Steven (Amy Jo Miller) Lewis. Treasured grandmother of Samantha Lewis (Leo Reap), Lauren Lewis (Connor Flanigan), Ryan Lewis, and Alex Lewis. Adoring great-grandmother of Noah Lewis-Reap and Ava Lewis-Reap. Loving sister of Tisha Roth and the late Richard Varkle.

A service honoring Linda’s life will be held on Monday, April 6, 2026 at 10:00 a.m. at Ira Kaufman Chapel. Those wishing to further honor the memory of Linda Dresner may do so by making a contribution to the Museum of Contemporary Art Detroit (MOCAD).

We invite you to honor Linda Dresner’s legacy by supporting her lifelong commitment to creativity and the next generation of designers. Your gift to the Linda Dresner Endowed Chair in Fashion Design carries forward her vision and ensures lasting impact.

Echoes: CCS Alumni Voices in Clay brings five decades of CCS ceramics alumni to the international convening.

As the National Council on Education for the Ceramic Arts (NCECA) holds its first-ever conference in Detroit, the College for Creative Studies (CCS) presents Echoes: CCS Alumni Voices in Clay, an exhibition featuring over 30 CCS Ceramics alumni, on view March 20 – April 18, 2026, at Charach Family Galleries (formerly Center Galleries), located at 301 Frederick St.

While NCECA previously convened in Michigan in 1967 at Michigan State University in East Lansing, the 2026 gathering marks the organization’s first conference hosted in Detroit and is expected to bring thousands of ceramic artists, curators, collectors, and educators to the region for exhibitions, lectures, and citywide programming.

Bringing together alumni spanning more than five decades, Echoes highlights the national reach and evolving influence of ceramics at CCS. The exhibition reflects how CCS-trained artists continue to expand contemporary ceramics through sculptural experimentation, hybrid material practices, and interdisciplinary approaches to clay. It is part of a broader network of NCECA exhibitions and cultural programming taking place across institutions and galleries in Detroit.

“With Detroit hosting NCECA for the first time, Echoes is both a recognition of the generations of artists who have shaped contemporary ceramics and a celebration of the CCS alumni who continue to expand its language,” said Claire Thibodeau, Assistant Professor, Studio Art and Craft, Section Lead of Ceramics at the College for Creative Studies.

“This exhibition reflects the depth and strength of Detroit’s creative community while highlighting the lasting impact of our graduates within the broader ceramics field.”

Featured artists include Laith Karmo (‘04), Hayden Allison Richer (‘15), Kenneth Baskin (‘02), Elysia Vandenbussche (‘11), Joy Kin (‘19), Emily Duke (‘09), Kaiser Suidan (‘93), Katie Bramlage (‘11), Kara Thomas (‘13), and Sean Evans (‘01), among others. The exhibition includes alumni graduating from the late 1970s through 2025, reflecting the program’s sustained contribution to contemporary ceramic arts practice.

Exhibition Details Echoes: CCS Alumni Voices in Clay March 20 – April 18, 2026

Hours Tuesday–Saturday, 11:00 am – 5:00 pm; Extended hours during NCECA conference (March 25-28) Charach Family Galleries (formerly Center Galleries) 301 Frederick St., Detroit, MI 48202

Participating Artists Kenneth Baskin (‘02), Chrys Bonnay Lewis (‘10), Alexis Bratto (‘19), Katie Bramlage (‘11), Hailey Callahan (‘20), Emma Doppel (‘24), Emily Duke (‘09), Anna Edry (‘25), Jaminely Emmanuelli (‘19), John Gargano (‘92), Brett Gray (‘10), Steven Johnson (‘17), Laith Karmo (‘04), Karen Katanick (‘78), Joy Kin (‘19), Thea Lavender (‘24), Emily LoPresto (‘15), Melissa Mytty (‘04), Jane Plieth (‘14), Hayden Allison Richer (‘15), Drew Siering (‘24), Janelle Songer (‘08), Kaiser Suidan (‘93), Travis Grant Taylor (‘14), Kara Thomas (‘13), Karleigh Thompson (‘14, Fine Arts), Leilani Trinka (‘92), Elysia Vandenbussche (‘11), Bobby Veresan (‘20), Kailani Wolfe (‘25), Pierpaolo Zaldana (‘23, Illustration), Tyler Zibkowski (‘19), and Sean Evans (‘01).

About the NCECA NCECA supports and advances the field of ceramics by fostering education, research, and creative exchange within the global clay community. The organization’s annual conference is the largest international convening dedicated to contemporary ceramic art and education, advancing the field through exhibitions, scholarship, and professional development.

CCS announced today that it has earned the 2026-2027 Military Friendly® Schools Designation recognized as a Silver School and a Spouse Friendly School.

Institutions earning the Military Friendly Schools® designation were evaluated using both public data sources and responses from a proprietary survey. Over 3,200 companies participated in the Military Friendly® survey.

Methodology, criteria, and weightings were determined by consultation with the Military Friendly®, in Military Friendly® Advisory Council, a group of independent leaders in the military community. Final ratings were determined by combining an organization’s survey score, public data, and an assessment of the institution’s ability to meet and exceed thresholds for student recruitment, retention, academic progress, graduation rates, career placement, and support services for veterans, transitioning service members, and military spouses.

CCS earned a silver rating and the College’s profile can be found here https://www.militaryfriendly.com/school-profile/?sid=420

“Earning the Military Friendly® designation is more than a badge of honor; it is a reflection of an institution’s deep-rooted values and strategic commitment to those who served. These schools don’t just open doors for veterans and military spouses, they build sustainable pathways for academic success and long-term impact. Their support is transformative, proving that investing in military-connected students is both a moral imperative and a standard for educational excellence.” — Kayla Lopez, Vice President of Memberships, Military Friendly®

CCS will be showcased in the 2026-2027 Guide to Schools® in the April issue of Military Friendly G.I. Jobs ® magazine and on MilitaryFriendly.com.

Military Friendly® is the standard that measures an organization’s commitment, effort, and success in creating sustainable and meaningful benefits for the military community. Over 3,200 organizations compete annually for the Military Friendly Schools® designation. Military Friendly® is a service-disabled, veteran-owned small business. Military Friendly® is not affiliated with or endorsed by the U.S. Department of Defense or the federal government. Results are produced via a rules-based algorithm. The data-driven Military Friendly® lists and methodology can be found at https://www.militaryfriendly.com

CCS alumnus Paul Mobley will be honored at a special evening conversation with CCS President Donald L. Tuski.

On Thursday, March 26, at 5:30 p.m., the College for Creative Studies is pleased to welcome renowned portrait photographer and CCS alumnus Paul Mobley (Photography, 1983) as the Honorary Doctorate of Fine Arts recipient for a special evening conversation with CCS President Don Tuski.

Paul Mobley is an American portrait photographer celebrated for creating intimate, timeless images that reveal the personality and spirit of his subjects. His commercial work spans corporate, editorial, and advertising photography, with clients ranging from major brands such as Apple, Microsoft, Ford, and American Express to celebrities and entertainers in film, comedy, and music. His portraiture is known for its emotional depth and authenticity, achieved through his ability to quickly connect with people of all walks of life.

“We are honored to welcome Paul Mobley back to CCS to receive an Honorary Doctorate of Fine Arts,” said Don Tuski, President, College for Creative Studies.

“His distinguished career in portrait photography and his commitment to documenting everyday Americans living extraordinary lives make him an inspiring figure for our students and the broader creative community.”

The event marks a significant milestone in CCS’s 120th anniversary celebrations, as the college honors distinguished alumni who have shaped their industries and exemplify the college’s legacy of producing world-class creative talent.

Mobley trained at CCSin Detroit and then moved to New York City, where he studied portraiture and assisted renowned photographers, including Annie Leibovitz and David Langley, before launching his own career.

“My time at CCS shaped everything about how I approach photography,” said Mobley. “I learned to focus on concept and storytelling, not just technique. The experience of honest critiques, experimentation, and risk-taking in those early years still influences my creative process today. Receiving this honor from the institution that launched my career is a powerful reminder of the impact great teaching can have — and the responsibility to pass that forward.”

In addition to commercial assignments, Mobley is widely recognized for his long-form personal projects and photography books. His first major project, American Farmer, became a touring exhibition and book that captured the lives of U.S. farmers and traveled for seven years, reaching over 500,000 people. Other notable projects include Everyday Heroes — portraits of Americans dedicated to helping others; If I Live to Be 100 — intimate portraits of centenarians from all 50 states; and American Firefighter — portraits and stories of firefighters across the country. These bodies of work reflect his deep interest in everyday people leading extraordinary lives and his commitment to storytelling through images.

Mobley’s If I Live to Be 100 project will be developed into a traveling exhibition and national museum tour by International Arts and Artists. The exhibition features full-scale portraits of remarkable Americans who have celebrated their 100th birthdays.

He has also served as a keynote speaker, sharing insights on creativity, connection, and the art of portraiture with audiences worldwide.

The event will culminate in the presentation of an Honorary Doctorate of Fine Arts, awarded to Mobley by CCS President Don Tuski. Mobley joins a distinguished group of CCS Honorary Doctorate recipients, including automotive design leader Michael Simcoe, architect Suchi Reddy, and artist Kevin Beasley, among others.

The evening will include a 90-minute conversation between Mobley and President Tuski, exploring Mobley’s formative years at CCS and his distinguished career in portrait photography, followed by an audience Q&A.

This lecture is presented in partnership with Fujifilm. Fujifilm representatives will be on site throughout the evening to showcase new products and answer questions.

The event is free and open to the public. Registration is required at Eventbrite. Free parking is available in CCS’s Brush Street parking structure. To see more of Paul’s work, visit paulmobleystudio.com.

Annabelle Saco (’23 Film) has been holding a camera since she was just a kid. What started as sunshine-filled summer recap videos with friends evolved into a powerhouse career in social media – with over 62K followers on TikTok – and freelance videography. Annabelle’s freelance business, ShotByAnnabelle, has taken her from the sidelines with the Detroit Red Wings and Pistons to the sets of artists like Sexyy Red and Sommer Ray. Annabelle is the ultimate doer. She’s proof that when you combine a “try anything” attitude with professional skills, you don’t just follow a career path – you build your own.

Support the artists and designers in your life. Support everyone in the arts and the creative industries… honestly, we wouldn’t be anywhere without creatives, in my opinion.

How did you get here? When did you know this career path was for you?

When I was in sixth grade, I took a trip to California. I brought my camera and made a video. That was the moment when I thought there’s nothing else I’m going to do in life but film videos. I started off watching YouTubers – beauty gurus and bloggers, but also photographers like Peter McKinnon. That’s how I found an interest in both video production and photography, and content creation and social media. Then I started making videos with my friends during the summer. I’d make a summer edit every single year. I created a YouTube account and Instagram accounts focused on beauty and makeup. My cousin actually – she went to CCS – and I’d watch her make all these projects at home. I thought it was the coolest thing ever. That’s what struck me to go to CCS. I told my family that if I didn’t get into CCS, I wasn’t going to school. I’m very blessed that I knew at a young age what I wanted to do.

“I feel like everything I learned at CCS helped me with my editing now as a creator, which is really such an advantage, especially when it comes to working with brands.”

You have so many projects moving at once. How do you stay motivated?

One thing about me is I’m very family oriented. My family has done so much for me growing up. They’ve provided for me, and they’re my biggest supporters. So my drive to work hard every single day is my family, because one day I want to be able to provide that for them. Whether that’s tomorrow or 10 years from now, I know it will happen because it’s really what inspires me. They’re such hard workers. They came here with nothing and gave me everything.

Your content is all so diverse. Where do you find creative inspiration?

When I was younger making my summer videos, it was always the music that drove that. I love editing my videos to the beat of the music. I’m a perfectionist when it comes to it. So every little beat has to match. Songs that have really high energy, high beats are what I love. But then, as a content creator, it’s also watching other people’s content and seeing what they’re creating, which makes me want to create 10 times more. I think the two go hand in hand, and that’s what I love about it. Then when it came to school, that is what helped me grow as a creator and with my video production skills. One thing that I think really sets me apart as a creator is the technical background that I’ve gained from school. Even if it’s just me vlogging and doing a food review, I think about the lighting, and the way I want to cut my video. In social media everything’s so fast cut, and people don’t realize that no one wants to even hear you breathe. That’s something that I learned a little bit about in school. I am able to take the background of knowledge that I have and understand what I have to adjust for any situation. I feel like everything I learned at CCS helped me with my editing now as a creator, which is really such an advantage, especially when it comes to working with brands.

What’s it like seeing your work come to life?

Seeing my work come to life is really such a cool experience, especially in school. There was this one project that I still think about to this day. I show everyone it. I did a Red Bull commercial for fun. It was a four-day production with my friend, where I got to try so many different things that I never thought I could do. I literally wouldn’t stop talking about it, and I still don’t. It was awesome. It’s the same with my content creation work. Sometimes I don’t know what I’m filming until the day of. Then, when I get to the final edit, I watch it over and over and over again because I’m so proud of the work that I put out. One thing that I live by is, “You miss a hundred percent of the shots you don’t take.” I think it is what has gotten me this far. I’ve worked with organizations like the Detroit Pistons, the Red Wings and the Tigers. I’ve also worked with Lions’ players and other companies. Honestly, five years ago, I would’ve never imagined myself working with them. It is very rewarding. If you’re just sitting down and not taking the chances, you’re not going to get where you want to be. Going out and asking people for what I want, and not being afraid to get a “no,” has also led me to work with Sexyy Red, Sommer Ray, and other artists, athletes and influencers. I’s really eye-opening to how far you can go with something like this.

What is it that you love most about being a freelancer?

One thing I love about my career is the flexibility and freedom I have. Of course, I can go out and get a corporate job, nine-to-five – and that’s just as amazing – but I love being a freelancer because I’m not just stuck to one thing. I get to do so many different things. One day I’m sitting in a Lambo going 90 miles an hour, then the next, I’m filming videos for a restaurant or the grand opening for a med spa. I’m all for experiences and opportunities, and I love being able to do a little bit of everything.

You’ve gained quite the following online. What’s your ultimate goal?

My ultimate goal is to inspire others to go after their dreams. That’s one thing that I really do try to push. If you have a dream at such a young age, God would not put that in your heart if it wasn’t meant for you. That’s really what keeps me going. I don’t give up because I know it’s what I’m meant to do. I want to be that comfort creator for someone if they’re feeling down. I want to make others happy.

“I want to be that comfort creator for someone if they’re feeling down. I want to make others happy.”

Is there a “bucket list” goal you’re still chasing?

I’m striving towards working with the Detroit Lions. One day, I want to be on the field. I actually made a video that was pitching myself as a social media coordinator. I knew that I had to do something that was going to stick out, and that no one else had done. So I went on social media, like I do, and I filmed a video about why they should choose me. I actually got a lot of attention on both Instagram and TikTok. So many people, even Lions’ players, were reposting it. I love Detroit sports. There’s so much hype around them. One day I’ll be on that field, one day.

How do you feel CCS prepared you for this career?

There are so many ways that CCS helped me prepare for my career. The AVC (Audio Visual Center) was amazing. I got to work with different kinds of equipment, and knowing all of the advantages and disadvantages of equipment really helps as a creator. And the staff there, they’re so supportive. Jerome, Laurie and even Amber herself. All the people there are really amazing. They push you to keep trying. Having a social media presence wasn’t very normal in the film industry, just because it’s different than an experimental film or commercials – and those professors and staff really pushed me and said, “You’re going to make it so far,” and that stayed deep in my heart. I really appreciate them for that. As well as classes, like sound design. I always struggled in school to take what I learned to the next year with me. But now, I really try to think of every single thing about the lighting and sound for every shoot. Learning how to work as a team. That really helped me. Being able to work with others in the studio was really, really nice.

Annabelle Saco sitting at a desk editing a video on a computer
What would you say to a student or parent who is apprehensive about CCS, or to pursuing a creative career?

Nothing is guaranteed. I know being in a creative field, it’s very out of the norm. We’re all told to go to a nine-to-five. Get that job. Be in the corporate world. And, of course, those are great. I’m not downing it. I think those people work just as hard as we do. But I really do think it’s important that, if you have a dream, to not be afraid to do it. The only ones who fail are the ones who stop trying. And I think, if you really do love something, there’s no way you can fail. I was very blessed that my parents were very supportive of this. Especially in the Middle Eastern culture, we’re told to become a lawyer, become a doctor. My family saw the passion that I had for this, and they believed in me just as much. If you’re a friend or a parent of someone whose dream it is to go to a school like CCS, just try to be supportive. Because the only reason that they might not be doing it is that they don’t feel they have that supportive system. I really do think that, if they have a passion for it, they are going to make it so much further than anyone could ever imagine. Support the artists and designers in your life. Support everyone in the arts and the creative industries. All they want is a support system behind them. I think that’s what everyone deserves. Because creatives are – honestly, we wouldn’t be anywhere without creatives, in my opinion.

I would love to know what you would tell baby Annabelle – if you could go back in time.

I could cry thinking about this. If I had to say one thing to little Annabelle, it’s to not give up on your dreams, and look at how far you’ve come. I think it’s so beautiful that, even though you did have some bullies in the past, you didn’t let that stop you now. And nothing will stop me. No one is going to stop me from living out my dreams.

Annabelle Saco filming a TikTok on her phone

Of the seven years Kaylee M. Johnson, ’14 Film, has worked in the film industry, she says working on the sets of Seasons 4 and 5 of Stranger Things has been her favorite experience. As a set dresser, Johnson ensured sets were clean and reflected the daily changes made to the script. When filming for Season 5 wrapped, Johnson recalls how bittersweet it was to package and ship the assets for the show as well as go through the warehouse where all the set dressing was held.

“It was like walking into a history museum,” she said. “I knew almost all of the pieces that were in there and what sets they came from.”