Seven events bring together global voices and emerging talent to examine design’s impact on people, products, and the planet.

The College for Creative Studies (CCS), announces its Winter 2026 programming, a four-month series of exhibitions, lectures, and showcases exploring sustainability, material innovation, and the evolving role of designers in shaping the future. From alumni exhibitions to international collaborations, the season highlights how CCS is preparing the next generation of artists and designers to integrate environmental responsibility and creative innovation across disciplines.

https://www.ccsdetroit.edu/community-outreach-and-engagement/speakers-exhibitions/

Winter 2026 Programming

Valade Speaker Series: In the Realm of Lightning, Rajni Perera & Nep Sidhu

Tuesday, February 3, 2026 | 5:30-7 p.m. | Wendell W. Anderson, Jr. Auditorium (301 Frederick St) As part of the Valade Speaker Series, CCS presents an intimate look into the shared creative trajectory of artists Rajni Perera and Nep Sidhu. Drawing from their working-class migrant backgrounds, the duo explores the intersection of spiritual community and cosmic mythmaking that defined their landmark 2021 collaborative exhibition, In The Realm of Lightning. During this exchange, the artists will discuss their unique makership and the evolution of their distinctive material forms, offering insight into their practices as both individual creators and lifelong collaborators.

NCECA National Juried Student Exhibition

Friday, March 6 – Saturday, April 4, 2026 Reception: Thursday, March 26, 6–9 p.m. | Valade Family Gallery, A. Alfred Taubman Center for Design Education (460 W Baltimore St.) The NCECA Juried Student Exhibition showcases innovative ceramic works by emerging artists from undergraduate, graduate, and post-baccalaureate programs across the United States, Canada, and Mexico. Highlighting the next generation of ceramic talent, the exhibition celebrates creativity, technical skill, and contemporary perspectives within the field of ceramic art. The 2026 NCECA Juried Student Exhibition is in partnership with the NCECA National Conference 2026

Toyota Lecture Series Industry Exposition

Thursday, March 19, 2026 | 4:00-9:00 p.m. | Wendell W. Anderson, Jr. Auditorium (201 E Kirby) CCS’s popular multi-day lecture series brings nationally recognized artists and designers to Detroit for public presentations, coinciding with Industry Day, when Entertainment Arts and Illustration students showcase their graduating work to industry professionals and recruiters. The well-attended event offers public access to both established creative leaders and emerging student talent. Speakers include Rachelle Baker, Brandon Bidleman, Gian Galang, Eric Goldberg, Charlie Griak, Andrés Parada, Lydia Zanotti

Echoes: CCS Alumni Voices in Clay

Friday, March 20 – Saturday, April 18, 2026 Opening Reception: Friday, March 20, 5–8 p.m. | Charach Family Galleries (formerly Center Galleries) 301 Frederick St Echoes gathers work by CCS Ceramics alumni whose practices continue to expand the field of contemporary ceramics. The exhibition demonstrates how their approaches reflect both continuity and change, shaped in part by their CCS education but equally by the personal experiences, cultural influences, and creative communities that inform their work today.

Woodward Lecture Series: Adebunmi Gbadebo in Conversation with Ashara Ekundayo

Tuesday, March 24, 2026 | 5:30-7 p.m. | Wendell W. Anderson, Jr. Auditorium (301 Frederick St) Adebunmi Gbadebo’s practice engages with the histories embedded in land, material, and matter, using her work as a form of living archive. In this Woodward Lecture Series conversation with curator Ashara Ekundayo, she will explore how uncovering these traces allows her to connect with memory, ancestry, and the stories carried within the land itself. This conversation is presented in partnership with Artist As First Responder.

An Evening with Photographer Paul Mobley: In Conversation with President Don Tuski

Thursday, March 26, 2026 | 5:30-7:00 p.m. | Wendell W. Anderson, Jr. Auditorium (201 E Kirby) CCS will host an evening conversation and original talk exploring the work and career of photographer Paul Mobley.

Woodward Lecture Series: Loris Gréaud

Monday, April 6th | 5:30 – 7:00 p.m. | General Motors Auditorium, Taubman Center for Design Education (460 W. Baltimore) Loris Gréaud is an internationally acclaimed artist whose practice constructs immersive environments that blur the boundaries between fiction and reality, collapsing physical and mental spaces through elements such as rumor, poetry, architecture, and self-negation. In this talk, Gréaud will discuss his broader body of work while focusing on CORTICAL, an ongoing cycle developed in collaboration with international partner institutions, including the Museum of Contemporary Art Detroit, the Petit Palais, the MAH in Geneva, and the Théâtre du Châtelet.

2026 Student Exhibition

Friday, May 15 – Friday, May 29, 2026 Opening Reception: Friday, May 15 | College for Creative Studies Campus (201 E. Kirby St.) Each year, the College for Creative Studies celebrates the talent and achievements of its students with the annual Student Exhibition, featuring thousands of original works across art and design disciplines. Artwork will be available for purchase, with all proceeds directly supporting the student artists as they launch their creative careers.

States in Play: MdW All Partners Exhibition

Monday, June 22 – Saturday, June 27, 2026 | Valade Family Gallery, A. Alfred Taubman Center for Design Education (460 W. Baltimore St) The States in Play: MdW All Partners exhibition at the College for Creative Studies brings together a network of artist-run and community-centered initiatives that form the backbone of the Midwest’s independent art landscape. This exhibition foregrounds collaboration as both method and ethos—an exploration of how collective action, shared resources, and mutual support can sustain artistic practice beyond traditional institutional frameworks. Central to the presentation is the recognition of artist-led organizations working together to plan and shape MdW, emphasizing the power of cooperative organizing in building lasting cultural infrastructure. Participating partners present a constellation of approaches that reflect the region’s dynamic, interdependent creative ecology.

ABOUT THE COLLEGE FOR CREATIVE STUDIES The College for Creative Studies (CCS) is a nonprofit, private college accredited by the Higher Learning Commission and authorized by the Michigan Education Department to grant Bachelor’s and Master’s degrees. CCS, located in midtown Detroit, strives to provide students with the tools needed for successful careers in the dynamic and growing creative industries. CCS fosters students’ resolve to pursue excellence, act ethically, engage their responsibilities as citizens, and learn throughout their lives. With world-class faculty and unsurpassed facilities, students learn to be visual communicators who actively use art and design toward the betterment of society. The College is a major supplier of talent to numerous industries, such as transportation, film and animation, advertising and communications, consumer electronics, athletic apparel, and many more. Its graduates are exhibiting artists and teachers, design problem solvers and innovators, as well as creative leaders in business.

Crystal Windham can still remember the day she decided to attend the College for Creative Studies (CCS).

“I was fortunate — I had excellent college options,” said Windham (Industrial Design ’94). “My parents said, ‘This is up to you. This is your decision where you want to go.’”

Since they’d saved for her and her brother to attend college, she hadn’t needed to base her choice on finances. Unlike other schools she was accepted to, CCS hadn’t offered an initial scholarship — although that support would come during the second semester of her freshman year.

Windham always realized what a gift her parents had given her, and she aimed to do the same for her children, both college students. But in 2025, the executive director of Global Industrial Design at General Motors went one step further — endowing a scholarship to give a talented student the opportunity to realize their dreams at CCS.

Besides the minimum gift requirement, Windham made an additional contribution so the endowment could begin distributing funds right away. She chose to do this with a retention scholarship, meaning it can be renewed for up to three years, helping CCS retain the student.

Windham felt strongly that the scholarship not fully cover tuition. This was partly inspired by her own work-study experience in the Transportation Design department, which changed the course of her studies — and her life.

She recalled how one day, Carl Olsen, the department chair, had watched her sketch a still life for homework. He’d asked, “Have you ever thought about drawing cars?”

When she replied that she hadn’t, Olsen had told her that both women and people of color were underrepresented in that design area. He’d then offered to pay for Windham to take an introduction to automotive drawing class to see if she liked it.

“I fell in love,” she said of automotive design. “It was a product that would impact the lives of so many people. I didn’t look back from then on.”

After being accepted into the program, Olsen found scholarship funds for Windham — but still, not a full ride. She acquired an internship her sophomore year with Ford Motor Co., and then with General Motors her junior year. GM put her right in the design studio where she learned about designing interiors and then, before graduation, offered her a full-time position.

Windham hopes her scholarship gives recipients a similar CCS experience. “It really does mimic what was offered to me to keep me going,” she says. “You have people communicating to you that you belong, you have the talent, and here’s a little to help you along the way.”

By focusing her scholarship on marginalized applicants, Windham hopes to continue diversifying her industry. “If we can help support more people of color, more women through this endowed scholarship to feed that pipeline, I think it’s a win-win for all,” she said. “They don’t necessarily have to look exactly like me, but industries like to reflect their customer base — and we’re their customers.”

Although establishing a scholarship had been in the back of Windham’s mind for years, she never considered it a real possibility until a peer shared about endowed scholarships. Then serendipitously, a family member with personal knowledge about endowments reviewed the process and encouraged her to “just get started.”

“It’s so meaningful to get to a point in life where I could do it, and I have my husband, who supports me,” she said. “My children support me. I’ve talked to them, and they understand the importance of this and why I have allocated some of our funds to do that.”

Windham’s family also understands the impact CCS has had on her — something she hasn’t taken for granted since day one. “I still believe choosing CCS for an art-based career was one of the best decisions I made in my life,” she said.

www.ccsdetroit.edu/wp-content/uploads/2026/02/CCS_classphoto_1994-2-scaled.jpg Crystal Windham, Industrial Design alumna, during her time as a CCS student.

www.ccsdetroit.edu/wp-content/uploads/2026/02/CWcurrentresized-1.png Crystal Windham in her current role as Executive Director of Global Industrial Design at GM.