Student well-being, safety and experience are Dan Long’s guiding lights. These were his priorities when he came to the College for Creative Studies in 2005 and first served as Student Programming Coordinator, and they remain his priorities as Assistant Vice President for Campus Life, an appointment Long received during the summer of 2024.

As AVP for Campus Life, Long oversees three interconnected offices of the College: the Student Affairs Office, Campus Safety and Security, and the Office of Civil Rights and Title IX.

These entities have been redefined during Long’s two-decade tenure at the College. To better meet students’ needs, the former Office of Student Life —which included two separate offices: the Wellness Center and the Residence Life and Housing Office—became the overarching Student Affairs Office. This office is now the umbrella for several key areas, including the Student Engagement and Belonging Office, Residence Life, Student Organizations, Wellness and Counseling Services, Student Disability Services, and the Center for Tutoring and Writing, among others.

Another change was the former Office of Institutional Equity and Inclusion, which was restructured to become the Office of Civil Rights and Title IX. A director position was created to oversee the office, which reports to Long as well.

“Everything that reports to me is really rooted in making students feel like they belong and are capable at CCS,” Long says. “Every student at CCS should feel like they have a place; that they belong and have an opportunity to be successful here.”

That notion was at the core of Long’s role as a Student Programming Coordinator nearly 21 years ago. He was later promoted to a joint role as Assistant Director of Student Life and Student Ombudsman. During that time in the late 2000s and early 2010s, Long remembers the College was working towards providing more experiences for students outside of the classroom, through things such as peer support networks and co-curricular learning opportunities. An indicator of that shift, according to Long, was the increase in employees. CCS went from 10-12 resident assistants at that time to presently having around 60 total work study students.

“Seeing that growth in the opportunities we’re able to provide and that we can generate enough interest in working for those various areas is one of the big leading signs that I see in a tangible way, that Student Affairs is making an impact,” he says.

In 2012, Long was promoted to Dean of Students at CCS. During his 12 years in that role, he continued to support streamlining efforts of what he says were the College’s student-facing offices and the crisis-oriented offices. The aforementioned transition of the former Office of Student Life to today’s comprehensive Student Affairs Office happened while Long was Dean of Students.

Fourteen years later, and two years into his AVP role, Long is happy with CCS’ holistic approach to student experience. His goal for Student Affairs is to continue building on the work those teams have already achieved through their strategic planning. For Campus Safety and Security and the Office of Civil Rights and Title IX, Long says empowerment and trust building among the greater campus community has been his goal, especially with the latter office being new.

“So really, that has been, how do we successfully launch, announce and integrate a new office and a new function for the institution in a space where there’s not always a lot of trust?” Long says. “There’s no inherent trust in an office of civil rights; you have to earn that respect and trust from people.”

Long is also excited about the “enormous growth” in student organizations over the past couple of years, as well as the pending launch of a new student engagement platform. This platform will allow students to create an account and build a full co-curricular transcript to visualize their collegiate experience.

“I have an incredibly strong team of professional staff and student staff that really make all of this work on a higher level,” he says. “I always like to make sure that I highlight them, in these kinds of situations where they’re making all of this really function, and giving the students at CCS the opportunity to experience all of this.”

Longtime partnerships leader to head the College for Creative Studies Office of Partnerships as the new Assistant Vice President

Shannon McPartlon, a 20-year CCS leader, has been named Assistant Vice President of Partnerships.
In her new role, McPartlon will work closely with Vice President Olga Stella to expand strategic initiatives and external partnerships that support the College’s strategic plan and financial success. She will continue to lead the recently expanded Office of Partnerships, which now includes Event Operations, Speakers and Exhibitions and Exhibition Services.

“Shannon’s expertise and leadership come at a crucial time, when higher education continues to be disrupted by external forces,” said Don Tuski, President of CCS. “Serving as a key external ambassador to create career opportunities for students across all of our majors, Shannon will work in collaboration with academic department chairs and internal stakeholders to connect industry trends and needs to new and current programs and initiatives that will bolster the College’s business model, positioning and revenue generation.”

Throughout her 20-year career at CCS, McPartlon has managed over 400 industry partnerships, engaging more than 3,000 students, faculty and staff. She has played a critical role in evolving the College’s approach to experiential learning to include more opportunities for students and established the Practicing Design Center in partnership with faculty. Her facilitation of for-credit internships, on-campus recruiting events and launching strategies to increase exposure for students has empowered students to gain hands-on experience and enhance their career readiness.

“I am incredibly honored and energized by the opportunity to take on this expanded role,” said Shannon McPartlon, Associate Vice President of Partnerships. “My primary goal in this new role is to forge strategic, high-level partnerships that directly connect industry trends and needs with new academic opportunities, bolstering the college’s business model and global positioning. I look forward to applying my experience to further scale our strategic initiatives and help secure the future success of CCS.”

To learn more about the Office of Partnerships, please visit https://www.ccsdetroit.edu/office-of-partnerships/.

ABOUT THE COLLEGE FOR CREATIVE STUDIES

The College for Creative Studies (CCS) is a nonprofit, private college accredited by the Higher Learning Commission and authorized by the Michigan Education Department to grant Bachelor’s and Master’s degrees. CCS, located in midtown Detroit, strives to provide students with the tools needed for successful careers in the dynamic and growing creative industries. CCS fosters students’ resolve to pursue excellence, act ethically, engage their responsibilities as citizens, and learn throughout their lives. With world-class faculty and unsurpassed facilities, students learn to be visual communicators who actively use art and design toward the betterment of society. The College is a major supplier of talent to numerous industries, such as transportation, film and animation, advertising and communications, consumer electronics, athletic apparel, and many more. Its graduates are exhibiting artists and teachers, design problem solvers and innovators, as well as creative leaders in business.

CCS alumna and Trustee Molly Valade and her husband Mark Valade established the Valade Family Endowed Chair in Studio Art & Craft.
The College for Creative Studies (CCS) is thrilled to announce a commitment to endow the position of Chair of Studio Art & Craft. The Valade Family Endowed Chair in Studio Art & Craft will ensure ongoing support for the College’s Studio Art & Craft Department, one of CCS’s most historic programs.

This transformative commitment reflects CCS alumna and Trustee Molly Valade’s deep connection to and belief in the legacy and importance of the Studio Art & Craft program, as well as her enduring belief in the power of a CCS education. Molly graduated from CCS’s Fine Arts program (now Studio Art & Craft) and has served on the College’s Board of Trustees since 2008, in addition to serving on CCS’s alumni council for 13 years. Over the years, her engagement with students, faculty, and staff has strengthened the program’s creative and academic environment, and this gift will ensure that impact continues into the future.

“Studio Art & Craft has been at the heart of CCS for more than a century,” said Don Tuski, President of the College for Creative Studies. “The establishment of this endowed chair will help ensure the department continues to evolve, inspire new generations of artists and makers, and expand opportunities for innovative studio practice well into the future.”

Founded in 1906, CCS, then The Society of Arts & Crafts, integrated rigorous courses with the progression of the art and design movements and world-class, contemporary exhibitions. Since its inception, the Studio Art & Craft program has carried on this tradition while continually building on this foundation and legacy. In 2026, the program is still rooted in traditional techniques, now enhanced by contemporary processes and innovative technologies. The department currently enrolls undergraduate students exploring the disciplines of Ceramics, Drawing, Fibers and Textiles, Fine Arts, Glass, Metalsmithing and Jewelry, Painting, Performance, Print Media, Sculpture, Digital Fabrication and Digital Media.

Under the leadership of Department Chair Valerie Jenkins, Studio Art & Craft continues to foster rigorous studio practice and distinct creative voices. The creation of the Valade Family Endowed Chair will further elevate that work, strengthening the program’s impact and vitality, ensuring its continued growth.

College for Creative Studies Announces Esteemed Group of Honorary Degree Recipients

Detroit, MI – College for Creative Studies is proud to announce its 2026 honorary degree recipients: Dustin Yellin, artist and the founder and director of Pioneer Works; Moray Callum, automotive designer; Lynn Alandt, president of the Benson and Edith Ford Fund; and Paul Mobley, portrait photographer. Yellin also delivered the commencement address for the graduating class of 2026.

Dustin Yellin tells stories that weave together the diverse forces of nature and technology. Through his multidisciplinary body of work, which includes object making, painting, animation, and institute building, Yellin draws attention to the interconnectivity of all beings and things. His approach tunnels across traditionally siloed fields so as to crystallize the idea that both the human world, and all other worlds around us, are a collection of enmeshed networks – even if many are hidden. Yellin’s glass works in particular, in which paint and images clipped from various print media are embedded within laminated glass sheets to form grand pictographic allegories, invite viewers to engage with the legions of their own consciousness and its embodied emotions, as well as that of our collective society and its infrastructures. Yellin is the founder and director of Pioneer Works, a multidisciplinary cultural center that builds community through the arts and sciences. The artist balances descriptive poetry with a prescriptive social practice so as to span new ways of seeing and being, and build a bridge to a more holistic world.

Yellin lives in Brooklyn, New York. His artwork has been exhibited at Brooklyn Museum, Amorepacific Museum, Leeum Museum, Museo Del Palacio de Bellas Artes, SCAD Museum of Art, The Kennedy Center, Lincoln Center for the Performing Arts, City Museum, Colección Solo, Corning Museum of Glass, and with Creative Time, amongst many others. Yellin is often featured in diverse media ranging from the New York Times to Artforum, Vanity Fair, and TED. He holds an Honorary Doctor of Humane Letters from the Savannah College of Art and Design.

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A respected automotive designer from Dumfries, Scotland, Moray S. Callum graduated from Napier University with a degree in industrial design and earned a master’s degree in transportation design from the Royal College of Art in London. His design career began when working for Chrysler Corporation UK and PSA Peugeot Citroën on passenger/commercial vehicles. He joined Ghia SpA as a consultant designer, where his work sparked interest from the Ford company. This ultimately led to a role in Dearborn, Michigan, on North American vehicles such as the 2000 Ford Taurus and the last generation of Ford Super Duty pickups. He relocated to Japan to work for Mazda, then a Ford subsidiary, designing sports cars, contributing notable models like the MX-5 sports car and the CX-7 crossover.

Eventually, he became executive director of design for Ford’s Americas studios. Moray Callum’s successes include the new Ford Fusion, Explorer, Mustang, EcoSport and Lincoln MKZ. Ultimately, Callum was promoted to vice president of design at Ford Motor Company, taking responsibility for all concept and production vehicles for the Ford and Lincoln brands globally, unveiling the 2015 sixth-generation Ford Mustang and the 2017 second-generation Ford GT. Additionally, Callum serves on the CCS Board of Trustees.

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Lynn Alandt is a civic leader and the president of the Benson and Edith Ford Fund. Alandt has served on the CCS Board of Trustees for more than 25 years and currently serves as the vice chair of the board. She also serves as the board chair for the Eleanor and Edsel Ford House. Additionally, Alandt is trustee emeritus for The Henry Ford Museum and has served on the board of directors for Henry Ford Health System. She is a strong supporter of CCS and the arts community in and around Detroit.

Paul Mobley is an American portrait photographer celebrated for creating intimate, timeless images that reveal the personality and spirit of his subjects. His commercial work spans corporate, editorial, and advertising photography, with clients ranging from major brands such as Apple, Microsoft, Ford, and American Express to celebrities and entertainers in film, comedy, and music. His portraiture is known for its emotional depth and authenticity, achieved through his ability to quickly connect with people from all walks of life. Mobley trained at CCS in Detroit and then moved to New York City, where he studied portraiture and assisted renowned photographers, including Annie Leibovitz and David Langley, before launching his own career.

In addition to commercial assignments, Mobley is widely recognized for his long-form personal projects and photography books. His first major project, American Farmer, became a touring exhibition and book that captured the lives of U.S. farmers and traveled for seven years, reaching over 500,000 people. Other notable projects include Everyday Heroes — portraits of Americans dedicated to helping others; If I Live to Be 100 — intimate portraits of centenarians from all 50 states; and American Firefighter — portraits and stories of firefighters across the country.

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“This year’s honorary degree recipients are incredible leaders across a diverse range of industries,” said Don Tuski, President of CCS. “We are thrilled to honor Dustin, Moray, Lynn and Paul, who offer invaluable support and insight into the art and design world.”

The College’s commencement ceremony took place on May 14, 2026, to honor the graduating class of 2026. Yellin, Callum, Alandt and Mobley join a distinguished list of recent honorary degree recipients, including automotive design leader Michael Simcoe, architect Suchi Reddy, and artist Kevin Beasley, among others.

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“Future Fantastic” showcased emerging designers shaping fashion through material, narrative, and form

DETROIT, MIThe College for Creative Studies (CCS) Fashion Design Program presented The Show 2026 on Sunday, April 26, at the Skywalk at Somerset Collection. The annual runway show brought together industry leaders, tastemakers, and the creative community for an evening of new work from emerging designers.

The Show featured over 100 looks from junior and senior students in apparel and accessories design. The evening included a VIP reception followed by the runway presentation at 8 p.m. Collections by Senior Designers Izzy Abohasira, Mar Bissada, Hayden Brice, Maxwell Honeycutt, Falina Jimerson, Griffin Mesner, Sarah Nofar, Ryan Putnam, Veronica Wardowski, and Emma Wisler, and Junior Designers Quade Feller, Luka Gallé, Santino Giglio, Bryn Hazen, Athan Hillman, Megan Hotchkiss, Sophia Jensen, Lilly Steele, and Bryce Truby, explored personal narrative, cultural history, and speculative futures, blending traditional craftsmanship with advanced fabrication.

The event welcomed 354 guests. Notable attendees included Chuck Bennett, Fox 2 News Style Ambassador; Stephanie Chang, Michigan State Senate; Diana Costescu, Tapestry; Stuart McMillan, Banana Republic; Millie de La Valette, Louis Vuitton; Owen Davenport, General Motors; Gretchen Davidson, Former Chair of the National Council of Arts and Culture; Ben Ewy, Carhartt; Ralph Gilles, Stellantis and CCS Board of Trustees; Danialle Karmanos, Mad Dog Technology and CCS Board of Trustees; Simion Kayiwa, Hermès; Drew Little, Fear of God; Donald Manvel, CCS Board of Trustees; Barbara May, B. May Bags; Heaven Montero, LITO; Silvia Prada, Kate Spade; Tracy Reese, Hope for Flowers; Tiffadelic, Artist; Tiff Massey, Artist; Mario Moore, Artist; Ken Walker, K. Walker Collective; Ash Hanson, Nike; and Chris Webb, General Motors.

This year’s theme, “Future Fantastic,” focused on the intersection of contemporary fashion and forward-looking design. Drawing on the material language of contemporary runway and the cinematic minimalism of Stanley Kubrick’s 2001: A Space Odyssey, the presentation created an environment defined by light, reflection, and precision.

“We’ve created a kind of laboratory for fashion at CCS. Here, students experiment, take risks, and develop their own design language,” said Aki Choklat, Linda Dresner Endowed Chair in Fashion Design, College for Creative Studies. “That same interdisciplinary approach extends across the College. New programs like our Fashion Business Management BA prepare students to meet the demands of a global, rapidly evolving industry. The Show reflects that process through collections that are highly individual, technically resolved, and grounded in innovation and making.”

The runway, designed in collaboration with CCS’s Interior Design department, transformed the Skywalk into a spatial installation. Suspended frames, projected light, and reflective materials defined the setting, while metallic surfaces and industrial sheeting caught and diffused light as models moved through the space.

“What better way to mark our 30th anniversary than by hosting the College for Creative Studies’ The Show, spotlighting the next generation of fashion,” said Nate Forbes, managing partner of The Forbes Company and member of the CCS Board of Trustees. “As an institution defined by vision, design, and excellence in craft, it’s only fitting that our signature skywalk becomes a runway for such a remarkable event.”

The presentation emphasized a rigorous, studio-based approach to design at CCS, where students develop work from concept through execution. The resulting collections were highly individual, technically resolved, and grounded in both innovation and making.

The Show continues to serve as a platform for emerging designers, connecting students with recruiters, press, and industry professionals. As Detroit’s creative ecosystem expands across design, fashion, and cultural production, the runway positions CCS as a key site of talent development.

About Somerset Collection
Somerset Collection is located on the corner of Big Beaver Road and Coolidge in Troy. A 700-foot-long glass-enclosed moving skywalk spans Big Beaver, connecting Somerset North with Somerset South. Anchored by Neiman Marcus, Nordstrom, Saks Fifth Avenue, and Macy’s, Somerset Collection is home to more than 180 stores and restaurants. Information about center or store-specific events, as well as store hours, can be found at thesomersetcollection.com.

Based in Southfield, Michigan, The Forbes Company (theforbescompany.com) is a nationally recognized owner, developer, and manager of iconic regional shopping centers, recognized throughout their respective markets for their retail innovation, fashion leadership, distinctive architecture, and luxury appointments. In addition to Somerset Collection, these properties include: The Gardens Mall in Palm Beach Gardens, Florida; The Mall at Millenia in Orlando; and Waterside Shops in Naples, Florida.

About the College for Creative Studies
The College for Creative Studies (CCS) is a nonprofit, private college accredited by the Higher Learning Commission and authorized by the Michigan Department of Education to grant Bachelor’s and Master’s degrees. CCS, located in midtown Detroit, strives to provide students with the tools needed for successful careers in the dynamic and growing creative industries. CCS, named an Opportunity College by the Carnegie Classifications, fosters students’ resolve to pursue excellence, act ethically, engage their responsibilities as citizens and learn throughout their lives. With world-class faculty and unsurpassed facilities, students learn to be visual communicators who actively use art and design toward the betterment of society. The College is a major supplier of talent to numerous industries, including transportation, film and animation, advertising and communications, consumer electronics, athletic apparel, and many more. Its graduates are exhibiting artists and teachers, design problem solvers and innovators, as well as creative leaders in business.Selected Designer Collections
The collections in The Show 2026 explore identity, material, and narrative through diverse perspectives. Izzy Abohasira reimagines Western iconography, while Marwa Bissada examines love and division through the Berlin Wall. Hayden Bryce merges maritime and heritage craft, and Arturo Chaney develops a futuristic language shaped by technology and nature. Falina Jimerson builds a mythological world, while Maxwell Honeycutt reinterprets Mediterranean craft traditions. Griffin Mesner draws from Detroit’s sports history, and Sarah Nofar reflects on immigrant identity. Ryan Putnam explores the body through sport and sexuality, Veronica Wardowski channels Detroit’s industrial and musical legacy, and Emma Wisler examines performance and self-presentation.

Izzy Abohasira
Izzy Aboasira’s collection, No Country for Men, draws inspiration from spaghetti and neo-western films. It imagines a posse of outlaw women navigating the American West in the late nineteenth century. Films such as The Good, the Bad and the Ugly, Django Unchained, and Tombstone influenced the work. The eight-piece collection translates cinematic storytelling into fashion, envisioning garments repurposed from men’s clothing taken in battle. It uses traditional menswear materials like leather, fur, heavy wool, and pinstripes. The designs have distressed finishes and frayed textures that evoke the harsh realities of frontier life. Through No Country for Men, Abouasira reinterprets Western iconography to explore rebellion, survival, and female autonomy.

Marwa Bissada
Marwa Bissada’s collection, Romeo and Juliet 1989, explores love, distance, and resilience. She uses the symbolic lens of the Berlin Wall, combining this with Shakespeare’s story of star-crossed lovers. Inspired by her father’s time in Berlin, while the wall was still standing, Bissada reimagines five scenes from Romeo and Juliet–each presented as a pair of menswear and womenswear looks, for a total of 10 garments. The collection features 1980s silhouettes and highlights the emotional divide of the wall. Light, romantic materials–jersey knits, sequins, chiffon, and silk–sit alongside her signature denim. Clean construction and a modern edge balance the softness of the fabrics, offering a contemporary interpretation of love enduring across borders.

Hayden Bryce
Hayden Bryce’s collection, Harborlands, draws from London’s canal boat culture and the northern Michigan landscape, reflecting the designer’s connection to both regions. This six-look collection merges British maritime influences with American heritage style. Apparel, footwear, and bags are constructed using traditional shoemaking and leatherworking techniques. Materials such as distressed canvas, braided leather, and rugged hardware establish the utilitarian character of life on the water. Sweaters, hand-knit by the Black Sheep Knitters Guild, further highlight the craft emphasis. Harborlands weaves together nautical references and heritage techniques, creating designs shaped by place, material, and personal history.

Arturo Cheney
Arturo Chaney’s collection, Subsystem, explores a personal vision of futurism, shaped by imagination, that focuses on the intersection of technology and nature. Influences include video games, science fiction films, and the futuristic design language of the 1990s. Drawing inspiration from Syd Mead and Robert Valli, Chaney creates fluid forms that evoke both biological structures and advanced technologies. The eight-piece collection features sculptural accessories shaped by extensive 3D modeling and CAD processes. Boots, bags, eyewear, and harnesses are crafted in leather, steel, and silver—mainly in white and gray. Through Subsystem, Chaney imagines a speculative future of safety, inclusivity, and new forms of identity.

Falina Jimerson
Falina Jimerson’s collection, TYTO, tells a story rooted in worldbuilding, imagining a society shaped by owls. This six-look collection introduces archetypal characters–a royal, a doctor, an assassin–each representing a role within a fictional revolution inspired by owl mythology and the narrative world of Owls of Ga’Hoole. Garments are constructed from natural materials such as wool, silk, and linen, with draping, pleating, embroidery, and feather elements referencing owl anatomy and movement. Airbrushed burn marks and distressed details suggest conflict and transformation, while elegant silhouettes unify the narrative-driven designs. Through TYTO, Dimerson explores how fashion can serve as a vehicle for symbolism, character, and speculative storytelling.

Maxwell Honeycutt
Maxwell Honeycutt’s collection, Sabiha Mati, draws on his Maltese and Greek cultural heritage to reinterpret Mediterranean craft traditions. The collection’s name combines the Maltese word for “beautiful” and the Mediterranean symbol of the evil eye, exploring themes of beauty and protection rooted in this lineage. Drawing on mosaic tiles, lace-making, and macramé, the six-look collection translates traditional techniques through modern processes, including 3D-printed fabric and laser cutting. Silk organza and chiffon dominate the construction, emphasizing texture, movement, and layered craftsmanship, while experimental textiles combine symbolic Mediterranean motifs with contemporary techniques.

Griffin Mesner
Griffin Mesner’s Mesner collection draws on his lifelong connection to hockey and family, translating the sport’s history into a series of leather accessories. Inspired by Detroit and attending Red Wings games with his parents, Mesner references vintage goalie masks, early protective gear, and archival hockey materials. The six-look collection features footwear and bags made primarily from leather, treated and distressed to evoke mid-century wear through oiling, tuck marks, and raw edges. Minimal hardware keeps the focus on material and craftsmanship. Mesner combines personal memory and sports heritage to create work rooted in tradition, durability, and familial bonds. As Mesner explores Detroit’s sporting legacy, another creative perspective draws inspiration from the city’s industrial and musical heritage.

Sarah Nofar
Sarah Nofar’s collection, 13643 Deluxe Market, is inspired by her Iraqi grandmother’s immigration to Detroit and the family market named in the title. Nofar imagines how her grandmother–who dreamed of designing fashion–might have created accessories for Detroit’s Seven Mile neighborhood in the late 1960s. The designer reinterprets family and cultural history through a contemporary design lens. This seven-look collection spotlights footwear and handbags primarily in leather. Techniques include draping, lacing, embossing, and beading, each inspired by Chaldean Catholic traditions. Through 13643 Deluxe Market, Nofar merges family narrative, Detroit history, and material experimentation to honor the resilience of immigrant women.

Ryan Putnam
Ryan Putnam’s collection, Round 2, explores the intersections of sexuality, confidence, and movement, using the visual language of contemporary sportswear. Inspirations include 1980s and 1990s athletic apparel, lingerie, and Nicolas Ghesquière’s Balenciaga. The collection, comprising six looks, emphasizes the body and its expression. Stretch materials–neoprene, Lycra, spandex–contour garments closely to the body’s form. Hardware elements such as grommets, ties, and cinch cords allow for adjustable openings that reshape the silhouette. Unconventional materials, even basketball netting, challenge accepted notions of luxury. Putnam reflects on his Midwestern upbringing and personal journey toward self-expression through these designs.

Veronica Wardowski
Veronica Wardowski’s collection, City of Firsts, draws on Detroit’s legacy of innovation, exploring the city’s industrial history alongside the rise of Detroit techno. The eight-piece collection references both the 1920s automotive boom and 1990s underground music culture, merging industrial materials with architectural silhouettes inspired by the skyline. Wardowski uses leather, secondhand faux fur, chains, and metal hardware, with modular construction that allows pieces to be reconfigured. Garments feature hand-cut metal fringe, pleated corsetry, and 3D-printed rave boot heels wrapped in duct tape, evoking assembly-line aesthetics and techno’s DIY ethos. Designed to create strong silhouettes that take up space, the collection centers women’s wear as a vehicle for presence and power, while modular elements and metal “fabric” introduce movement and sound, reflecting Detroit techno’s experimental approach to making.

Emma Wisler
Emma Wisler’s collection, Who Are You When You’re Not Performing?, explores the tension between authenticity and self-presentation. Exaggerated silhouettes and visual illusion heighten this theme. Ballet and research on Venetian carnival masks influence her approach, prompting a close examination of how people amplify certain aspects to hide vulnerability. The seven-look collection is dominated by dresses in a stark black-and-white palette. Structured pleats and sculptural forms range from minimal to dramatic. Garments use polyester dupioni, crinkle crepe satin, and felt bases with taffeta lining. As each look builds in volume, the final design expands on the collection’s ideas about performance and identity.

Photo Credit: Ashley Story
College for Creative Studies has named Allison J. Puff as Provost and Vice President for Academic Affairs, effective July 15, 2026
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###DETROIT, Mich., April 30, 2026 – The College for Creative Studies (CCS) has named Allison J. Puff as Provost and Vice President for Academic Affairs, the institution’s chief academic officer. Puff brings a distinguished record of academic leadership, most recently serving as Executive Vice President of Academic Affairs and Interim Co-President at the Kansas City Art Institute (KCAI).

Puff is an educator and academic leader who has spent her career at the intersection of creative practice and higher education. She is recognized for her ability to navigate institutional change, align academic priorities with strategic enrollment and retention strategies, and champion inclusive student-centered practices. As CCS’s Provost, Puff will lead the institution’s academic vision, strategy, and operations, overseeing all degree-granting majors, academic departments, and student success resources.

CCS President Don Tuski shared, “The CCS community is thrilled to have Allison Puff join CCS as Provost and Vice President of Academic Affairs. Allison brings an amazing array of skills and abilities to CCS at a critical time for us. I am looking forward to working with her on many initiatives.”

At KCAI, Puff co-led the institution through a strategic transition and oversaw a $13M+ academic budget. Under her leadership, KCAI achieved record enrollment for the 2024–2026 academic cycles and improved first-year fall-to-spring retention from 90.4% to 93.5%. She developed the initial vision for KCAI’s Art+Design Labs, guiding its implementation and contributing to a 450% increase in non-credit offerings. Prior to KCAI, Puff held numerous leadership roles at Farmingdale State College, the largest of the State University of New York’s (SUNY) applied science and technology colleges.

“I’m excited to join the College for Creative Studies at such an important moment,” said Puff. “CCS’s commitment to access and opportunity, combined with the strength of its academic programs, creates a powerful foundation for what creative education can be. I’m looking forward to working with faculty, staff, and students to build on that momentum.”

Over the past three years, CCS has aggressively expanded its mission to inspire creative potential across all backgrounds. Key initiatives include accelerated bachelor of arts programs for creative business careers, new transfer pathways, expanded experiential learning, and its Apple Academy partnership. Puff’s leadership will be instrumental in sustaining this momentum as CCS enters its next phase of transformation.

Puff earned an MFA in Illustration as Visual Essay from The School of Visual Arts and undergraduate degrees in English and Communication, and Illustration. She is the recipient of the SUNY Chancellor’s Award for Excellence in Teaching, the Farmingdale Foundation Award for Excellence in Teaching, and a Faculty Leadership Award at Farmingdale State College. Her professional service has included national leadership roles with the American Institute of Graphic Arts (AIGA) National Design Educators Community and the Cooper Hewitt, Smithsonian Design Museum Education Board.

ABOUT THE COLLEGE FOR CREATIVE STUDIES
The College for Creative Studies (CCS) is a nonprofit, private college accredited by the Higher Learning Commission and authorized by the Michigan Education Department to grant Bachelor’s and Master’s degrees. CCS, located in midtown Detroit, strives to provide students with the tools needed for successful careers in the dynamic and growing creative industries. CCS fosters students’ resolve to pursue excellence, act ethically, engage their responsibilities as citizens, and learn throughout their lives. With world-class faculty and unsurpassed facilities, students learn to be visual communicators who actively use art and design toward the betterment of society. The College is a major supplier of talent to numerous industries, such as transportation, film and animation, advertising and communications, consumer electronics, athletic apparel, and many more. Its graduates are exhibiting artists and teachers, design problem solvers and innovators, as well as creative leaders in business.

Seven events bring together global voices and emerging talent to examine design’s impact on people, products, and the planet.

The College for Creative Studies (CCS), announces its Winter 2026 programming, a four-month series of exhibitions, lectures, and showcases exploring sustainability, material innovation, and the evolving role of designers in shaping the future. From alumni exhibitions to international collaborations, the season highlights how CCS is preparing the next generation of artists and designers to integrate environmental responsibility and creative innovation across disciplines.

https://www.ccsdetroit.edu/community-outreach-and-engagement/speakers-exhibitions/

Winter 2026 Programming

Valade Speaker Series: In the Realm of Lightning, Rajni Perera & Nep Sidhu

Tuesday, February 3, 2026 | 5:30-7 p.m. | Wendell W. Anderson, Jr. Auditorium (301 Frederick St) As part of the Valade Speaker Series, CCS presents an intimate look into the shared creative trajectory of artists Rajni Perera and Nep Sidhu. Drawing from their working-class migrant backgrounds, the duo explores the intersection of spiritual community and cosmic mythmaking that defined their landmark 2021 collaborative exhibition, In The Realm of Lightning. During this exchange, the artists will discuss their unique makership and the evolution of their distinctive material forms, offering insight into their practices as both individual creators and lifelong collaborators.

NCECA National Juried Student Exhibition

Friday, March 6 – Saturday, April 4, 2026 Reception: Thursday, March 26, 6–9 p.m. | Valade Family Gallery, A. Alfred Taubman Center for Design Education (460 W Baltimore St.) The NCECA Juried Student Exhibition showcases innovative ceramic works by emerging artists from undergraduate, graduate, and post-baccalaureate programs across the United States, Canada, and Mexico. Highlighting the next generation of ceramic talent, the exhibition celebrates creativity, technical skill, and contemporary perspectives within the field of ceramic art. The 2026 NCECA Juried Student Exhibition is in partnership with the NCECA National Conference 2026

Toyota Lecture Series Industry Exposition

Thursday, March 19, 2026 | 4:00-9:00 p.m. | Wendell W. Anderson, Jr. Auditorium (201 E Kirby) CCS’s popular multi-day lecture series brings nationally recognized artists and designers to Detroit for public presentations, coinciding with Industry Day, when Entertainment Arts and Illustration students showcase their graduating work to industry professionals and recruiters. The well-attended event offers public access to both established creative leaders and emerging student talent. Speakers include Rachelle Baker, Brandon Bidleman, Gian Galang, Eric Goldberg, Charlie Griak, Andrés Parada, Lydia Zanotti

Echoes: CCS Alumni Voices in Clay

Friday, March 20 – Saturday, April 18, 2026 Opening Reception: Friday, March 20, 5–8 p.m. | Charach Family Galleries (formerly Center Galleries) 301 Frederick St Echoes gathers work by CCS Ceramics alumni whose practices continue to expand the field of contemporary ceramics. The exhibition demonstrates how their approaches reflect both continuity and change, shaped in part by their CCS education but equally by the personal experiences, cultural influences, and creative communities that inform their work today.

Woodward Lecture Series: Adebunmi Gbadebo in Conversation with Ashara Ekundayo

Tuesday, March 24, 2026 | 5:30-7 p.m. | Wendell W. Anderson, Jr. Auditorium (301 Frederick St) Adebunmi Gbadebo’s practice engages with the histories embedded in land, material, and matter, using her work as a form of living archive. In this Woodward Lecture Series conversation with curator Ashara Ekundayo, she will explore how uncovering these traces allows her to connect with memory, ancestry, and the stories carried within the land itself. This conversation is presented in partnership with Artist As First Responder.

An Evening with Photographer Paul Mobley: In Conversation with President Don Tuski

Thursday, March 26, 2026 | 5:30-7:00 p.m. | Wendell W. Anderson, Jr. Auditorium (201 E Kirby) CCS will host an evening conversation and original talk exploring the work and career of photographer Paul Mobley.

Woodward Lecture Series: Loris Gréaud

Monday, April 6th | 5:30 – 7:00 p.m. | General Motors Auditorium, Taubman Center for Design Education (460 W. Baltimore) Loris Gréaud is an internationally acclaimed artist whose practice constructs immersive environments that blur the boundaries between fiction and reality, collapsing physical and mental spaces through elements such as rumor, poetry, architecture, and self-negation. In this talk, Gréaud will discuss his broader body of work while focusing on CORTICAL, an ongoing cycle developed in collaboration with international partner institutions, including the Museum of Contemporary Art Detroit, the Petit Palais, the MAH in Geneva, and the Théâtre du Châtelet.

2026 Student Exhibition

Friday, May 15 – Friday, May 29, 2026 Opening Reception: Friday, May 15 | College for Creative Studies Campus (201 E. Kirby St.) Each year, the College for Creative Studies celebrates the talent and achievements of its students with the annual Student Exhibition, featuring thousands of original works across art and design disciplines. Artwork will be available for purchase, with all proceeds directly supporting the student artists as they launch their creative careers.

States in Play: MdW All Partners Exhibition

Monday, June 22 – Saturday, June 27, 2026 | Valade Family Gallery, A. Alfred Taubman Center for Design Education (460 W. Baltimore St) The States in Play: MdW All Partners exhibition at the College for Creative Studies brings together a network of artist-run and community-centered initiatives that form the backbone of the Midwest’s independent art landscape. This exhibition foregrounds collaboration as both method and ethos—an exploration of how collective action, shared resources, and mutual support can sustain artistic practice beyond traditional institutional frameworks. Central to the presentation is the recognition of artist-led organizations working together to plan and shape MdW, emphasizing the power of cooperative organizing in building lasting cultural infrastructure. Participating partners present a constellation of approaches that reflect the region’s dynamic, interdependent creative ecology.

ABOUT THE COLLEGE FOR CREATIVE STUDIES The College for Creative Studies (CCS) is a nonprofit, private college accredited by the Higher Learning Commission and authorized by the Michigan Education Department to grant Bachelor’s and Master’s degrees. CCS, located in midtown Detroit, strives to provide students with the tools needed for successful careers in the dynamic and growing creative industries. CCS fosters students’ resolve to pursue excellence, act ethically, engage their responsibilities as citizens, and learn throughout their lives. With world-class faculty and unsurpassed facilities, students learn to be visual communicators who actively use art and design toward the betterment of society. The College is a major supplier of talent to numerous industries, such as transportation, film and animation, advertising and communications, consumer electronics, athletic apparel, and many more. Its graduates are exhibiting artists and teachers, design problem solvers and innovators, as well as creative leaders in business.

The College for Creative Studies expands its User Experience and Color & Materials Design programs to include the College’s first online and part-time graduate programs, better serving designers seeking opportunities in this growing field.

Detroit, MI, October 17, 2025 – College for Creative Studies (CCS) is proud to announce the launch of new online and part-time graduate degrees in User Experience (UX) Design and Color & Materials Design (CMD). These programs are designed to make high-quality art and design education more accessible to working professionals and those seeking flexible learning options in the rapidly growing fields of UX and Color, Materials and Finish (CMF) Design. The new offerings complement a strong portfolio of existing full-time graduate programs at CCS, including: Color & Materials Design (MFA), Design for Sustainability (MA/MFA), Interdisciplinary Design & Media (MA/MFA), Transportation Design (MA/MFA), and User Experience Design (MFA).

“The MPS and part-time MA curriculum additions mark a significant step in CCS’s commitment to accessible education,” said Carla Gonzalez, Dean of Enrollment at CCS. “We understand the evolving demands of today’s professional landscape, and these options were designed to provide working professionals with the cutting-edge skills they need to excel in their current and future roles. This is particularly relevant in fields like digital design, where, according to the U.S. Bureau of Labor Statistics, employment of digital designers and web developers is projected to grow 8 percent from 2023 to 2033.”

The new online and part-time programming is a part of CCS’s graduate school:

  • Master of Professional Studies (MPS) User Experience Design, fully online (enrolling for Fall 2026)
  • Master of Arts (MA) User Experience Design, part-time in-person (enrolling for Fall 2026)
  • Master of Arts (MA) Color & Materials Design, part-time in-person (enrolling for Fall 2026)

With the increasing demand for UX and CMF professionals, CCS’s programs offer a unique pathway for individuals looking to advance their careers in design, technology, and user-centered solutions. The curriculum emphasizes ethically, socially, and environmentally responsible practices, combining theoretical knowledge with practical application. Graduates will be well-prepared to enter the workforce and make an impact in the fields of User Experience (UX), User Interface (UI), Color, Materials and Finish Design (CMF) and emerging technologies.

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Program Details

The MPS in UX Design is an 18-month, fully online program focused on developing skills in user-centered research, interface design, smart mobility, user testing, augmented reality, and data visualization. The program is designed for working professionals, offering an affordable and convenient option for students who need to balance their studies with life commitments.

The MA in UX Design is a two-year, part-time program that includes studio and research-based courses focusing on strategy and theory. The program foregrounds skills in design thinking, user-centered research, prototyping and communication. Here, students learn to design technologically-mediated systems, experiences, and human interactions with objects, spaces, and interfaces.

The MA in CMD is a two-year, part-time program that is the only accredited graduate-level CMF design program worldwide, attracting designers globally from the fields of product, transportation, fashion, interior, user experience, textile, and animation, as well as fine art, crafts, architecture, engineering, and the natural and social sciences. The curriculum prepares students to cultivate a mindset where forward-thinking color, material, and finish strategies are framed to connect functional and emotional meaning to products, environments, and experiences — with the understanding of user needs and preferences — across a wide range of industries.

Founded in 1906, CCS has distinguished itself as one of the premier institutions of higher learning in the world for more than a century. By offering these degrees online and in a part-time format, CCS is committed to breaking down barriers to education in the creative fields. CCS invites prospective students to learn more about these exciting new programs and how they can enhance their careers in design. For additional information, please visit www.ccsdetroit.edu.

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ABOUT THE COLLEGE FOR CREATIVE STUDIES The College for Creative Studies (CCS) is a nonprofit, private college accredited by the Higher Learning Commission and authorized by the Michigan Education Department to grant Bachelor’s and Master’s degrees. CCS, located in midtown Detroit, strives to provide students with the tools needed for successful careers in the dynamic and growing creative industries. CCS fosters students’ resolve to pursue excellence, act ethically, engage their responsibilities as citizens, and learn throughout their lives. With world-class faculty and unsurpassed facilities, students learn to be visual communicators who actively use art and design toward the betterment of society. The College is a major supplier of talent to numerous industries, such as transportation, film and animation, advertising and communications, consumer electronics, athletic apparel, and many more. Its graduates are exhibiting artists and teachers, design problem solvers and innovators, as well as creative leaders in business.

The Apple Foundation Program at CCS will welcome its first cohort in October 2025, offering a free introductory app development course with access to laptops and additional devices.

The College for Creative Studies (CCS) is excited to launch the Apple Foundation Program, a free app development program coming to the College’s A. Alfred Taubman Center for Design Education in collaboration with Apple. This technology lab and educational program will be available in October 2025 at no cost to students and community members. Additional details are available here.

This cutting-edge program offers a series of one-month courses, with daytime and evening classes to accommodate diverse schedules. Participants will be introduced to the fundamentals of Swift, Apple’s programming language, and the principles of app design and development, helping them to expand their technology skills and foster creativity. Apple devices will be provided to participants for the duration of the program, at no additional cost.

Registration is first-come, first-served. The first cohort will welcome 15-30 participants with a minimum of eight sessions over the year. Participants must be 18 years or older, and registration is open to metro Detroit residents, no prior coding or technology experience is required to participate.

“At CCS, we’re excited to welcome the Apple Foundation Program to our campus and provide cutting-edge learning opportunities for our students and for metro-Detroiters looking to continue their education,” said Don Tuski, President of CCS. “We are always looking for new ways to activate our local community and provide them with valuable resources. Detroit is the perfect place to pilot this excellent program.”

ABOUT THE COLLEGE FOR CREATIVE STUDIES The College for Creative Studies (CCS) is a nonprofit, private college accredited by the Higher Learning Commission and authorized by the Michigan Education Department to grant Bachelor’s and Master’s degrees. CCS, located in midtown Detroit, strives to provide students with the tools needed for successful careers in the dynamic and growing creative industries. CCS fosters students’ resolve to pursue excellence, act ethically, engage their responsibilities as citizens, and learn throughout their lives. With world-class faculty and unsurpassed facilities, students learn to be visual communicators who actively use art and design toward the betterment of society. The College is a major supplier of talent to numerous industries, such as transportation, film and animation, advertising and communications, consumer electronics, athletic apparel, and many more. Its graduates are exhibiting artists and teachers, design problem solvers and innovators, as well as creative leaders in business.