
Alumna Bo Shepherd ’12 Transportation Design Featured on Proven Not Perfect Podcast
From Car Interiors to Vintage Finds and Home Design, a story in progress with Woodward Throwback’s co-founder and head of design, and CCS alum, Bo Shepard.
From Car Interiors to Vintage Finds and Home Design, a story in progress with Woodward Throwback’s co-founder and head of design, and CCS alum, Bo Shepard.
Hidden Gems: Meet Meredith Fleischer of The MF Gallery
Bridge Detroit features article about Library Street Collective show The Art ‘Beneath Our Feet’ by CCS alumni and Detroit artists Mario Moore, ’09 Illustration and Lakela Brown, ’05 Fine Arts.
“Hey, Detroiters! Welcome back to Culture Canvas. I want to tell you about “Passage of Knowledge,” a new exhibit at the College for Creative Studies celebrating art pieces from the school’s metal shop and foundry, which has been an institution for over 65 years.” —Micah Walker
Don Kilpatrick, chair of the Illustration department weighs in on the uniforms. “He’s a guy who knows about the power of design, and he’s a pretty serious Lions fan.” –Nancy Kaffer, Detroit Free Press
“Steve Benson’s impressive and expansive career is evident in the depth and expression of his winning series, ‘Resonance.’ Although each image is wholly different, there’s a sense of the ‘decisive moment’ within each of his photographs, revealing a master at work.”
College for Creative Studies is one of 471 colleges and universities recognized for outstanding efforts to increase nonpartisan student voter participation in the 2024 election.
Zammit pointed to the past to highlight how design changes for safety reasons have long been a reality in the industry.
“This year, the fair will feature 285 galleries from 38 countries and territories, including 34 newcomers. Finn collaborates with a team of directors, including Maike Cruse in Basel, Clément Delépine in Paris, and Angelle Siyang-Le in Hong Kong.”
“We spoke to Taylor Childs on the eve of ArtClvb’s ‘Art Fair’, a weekend-long event showcasing the work of emerging and mid-career artists. Taylor says she regards the work as an act of reverence towards the family members ‘filling in the gap’, working to balance black family structures affected by colonization.”
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