Hakha Mashayekhi’s path to becoming Director of Product Design at Max is a story of bold pivots, creative growth and a passion for leading future designers. Starting his journey in industrial design, he found the process enriching but too slow for his taste. Seeking faster-paced, user-centered work, Hakha transitioned to digital product design, where ideas can come to life almost instantly.
Growing up in an automotive-heavy family in Michigan, Kristine Lipinski had zero interest in following in their footsteps. It wasn’t until the unexpected intersection of two of her passions – design and rugby – that her path changed. After graduating from the College for Creative Studies (CCS), she moved to France and eventually began working for the world-renowned car manufacturer Renault. An opportunity to attend a French bilingual school as a child would foreshadow her unique connection to France and jump-start an incredible career and life across the pond.
The College for Creative Studies (CCS) was honored to participate in the launch of new retail experiences at Michigan Central Station, aimed at supporting Detroit businesses and celebrating local talent.
“This year, the fair will feature 285 galleries from 38 countries and territories, including 34 newcomers. Finn collaborates with a team of directors, including Maike Cruse in Basel, Clément Delépine in Paris, and Angelle Siyang-Le in Hong Kong.”
“We spoke to Taylor Childs on the eve of ArtClvb’s ‘Art Fair’, a weekend-long event showcasing the work of emerging and mid-career artists. Taylor says she regards the work as an act of reverence towards the family members ‘filling in the gap’, working to balance black family structures affected by colonization.”
A Ford Motor Co. team has created a SupportBelt to provide added cushion and softness with style for breast cancer patients whose upper torsos are tender during and after cancer treatments and surgery.
The Detroit artist will undertake a 10-foot-tall project for the Southfield Public Arts Commission called “Burst”
“The Price of the Prompt,” delves into a topic not widely discussed: the significant resources consumed by generative AI. This project is perhaps one of the first to make sense of the disparate and ambiguous global data that is publicly accessible on the topic. Crafted with Blender and interactive JavaScript animations, It dynamically compares user versus global consumption in real time, separated into three main areas: water consumption for cooling data centers, power usage to operate these centers, and the financial costs of running AI models.
As family members grow older and pass on, their stories become lost,” reflects CCS alumna Taylor Childs, ’18 Crafts-Fiber Art . With her latest fiber design installation, “Apex,” she seeks to preserve and honor these cherished family narratives. Read more in Bridge Detroit’s feature, “Detroit Fiber Artist Honors Family History with New Installation.”
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